I’ve been binge-watching the Showtime series Weeds over the past few years. I’m up to season six of this bizarre yet entertaining show about Nancy Botwin (Mary-Louise Parker in a Golden Globe-winning performance), a widow who becomes a drug dealer to keep her family afloat. Spoiler alert: The show’s sixth season finds Nancy, her two teenage sons (Silas and Shane), and her brother-in-law (Andy) on the run after Shane has killed the publicist of Nancy’s drug-kingpin husband, Esteban. This season’s criminal plot element and this particular episode (“A Shoe for a Shoe”) have underscored some interesting (possibly intentional?) connections with director Quentin Tarantino.
In an act of retaliation, Shane has been kidnapped by Esteban’s henchmen. In an effort to find Shane, Nancy shoots one of the henchmen, Cesar, with a crossbow in a skee-ball hall of fame museum. In its size and emptiness, the museum resembles the abandoned warehouse in Tarantino’s Reservoir Dogs. In Dogs, criminal Mr. Blonde (Michael Madsen) ties up and tortures a police officer in the warehouse. Elsewhere in the film, criminals Mr. White (Harvey Keitel) and Mr. Pink (Steve Buscemi) hold guns on each other. Keitel is standing up, while Buscemi is lying down; this is the same formation as Nancy (standing with a weapon) and Cesar (lying down but without a weapon).
The Weeds director, Michael Trim, also seems to mirror Reservoir Dog’s famous truck shot, in which we see three of the criminals open a car trunk from the point of view of the cop inside the trunk. Tarantino, who proudly and frequently borrows from other films, also uses trunk shots in his work, including in Pulp Fiction and Inglorious Basterds. In the Weeds episode, we see Nancy open her trunk from the point of view of the crossbow she has stored in there. These trunk shot also seem to pay homage to Martin Scorsese’s Goodfellas and has become pretty standard in other films and television shows, including Breaking Bad’s final season.
Much of the episode takes place in a diner, another consistent setting throughout many of Tarantino’s films.
The Weeds episode even has a reference to its fellow Showtime series, Dexter, when Silas talks about becoming “a serial killer who kills serial killers.”